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Welcome, fellow voice enthusiasts! If you've ever dreamed of lending your voice to commercials, corporate presentations, or animated characters, you're in for a treat. As a seasoned freelance voice actor with nearly a decade of experience in the dynamic world of voiceovers, I'm here to share some brief insights, and top tips that will guide you through the exciting journey of landing voice acting gigs in today's ever-evolving industry.

  1. Crafting Your Unique Sound: Start by discovering your unique vocal style. Your voice is your instrument, and finding its distinct tones and nuances will set you apart in a crowded field. Experiment with various styles and tones until you discover what makes your voice special.

  2. Building a Professional Portfolio: Create a comprehensive portfolio that showcases the versatility of your voice. Include samples of different genres such as commercials, narration, character voices, and corporate presentations. Having a well-organized and easily accessible portfolio is crucial when potential clients or casting directors come knocking.

  3. Investing in Quality Equipment: In the world of voice acting, sound quality is non-negotiable. Invest in a good microphone, headphones, and soundproofing equipment to ensure your recordings are crystal clear and professional. Quality equipment not only enhances your performance but also sends a message to clients that you are serious about your craft.

  4. Mastering the Art of Auditioning: Auditioning is a skill in itself. Learn to interpret scripts quickly, take direction well, and submit auditions that stand out. Pay attention to the details of the project and tailor your audition accordingly. Remember, the goal is not just to sound good but to convey the essence of the character or message.

  5. Networking and Online Presence: Embrace the digital age by establishing a strong online presence. Create profiles on platforms like Voices.com, Fiverr, or other reputable voiceover marketplaces. Network with fellow voice actors, producers, and directors through social media platforms. Engage in conversations, share your work, and build relationships within the industry.

  6. Continuing Education: Voice acting is a craft that constantly evolves. Stay updated on industry trends, new techniques, and emerging technologies. Consider taking workshops, attending conferences, or joining online communities to exchange ideas and learn from others in the field.

  7. Navigating Rejection and Persistence: Rejection is a part of the journey, but it's essential not to let it dampen your spirits. Learn from each experience, seek constructive feedback, and persist in honing your skills. Success often comes to those who persevere through the inevitable challenges of the industry.

  8. Adapting to Remote Work: The rise of remote work has impacted the voice acting industry positively. Embrace the convenience of recording from your home studio, but ensure you maintain professionalism. Deliver high-quality recordings on time and communicate effectively with clients to establish trust and reliability.


Conclusion:

Embarking on a career in voice acting requires a blend of talent, dedication, and adaptability. By crafting your unique sound, building a professional portfolio, investing in quality equipment, mastering the art of auditioning, networking, staying educated, and navigating rejection with persistence, you'll be well on your way to securing voice acting jobs in today's dynamic landscape. So, warm up those vocal cords, embrace the opportunities, and let your voice be heard!

 
 
 

How did I first come to love all things about Voiceovers, Voice Acting, Narration, and whatever else you can do with Voices?


For starters, I feel i need to point out I have the memory of a Goldfish. Yes, I'm aware they have recently been proven to have better memories than we originally thought, but still the old stereotype gets the point across.


Unfortunately I have retained few of the memories from my childhood, unless they were particularly poinient moments that get repeatedly brought up over and over at family gatherings, or times where the event scared me silly, or moments where my life was in danger for whatever reason. Fortunately a few of these dramatic memory moments just so happened to be memories that are linked to Voiceovers, Narration and Voice Acting. Since I was removed from my dear mum (a memory that I actively decide not to remember...), I have been listening to stories. Dad always made a point of reading to us at bed time, and on the nights when he needed a rest, he would put a cassette into the multifunctional player, and we would hear some strangers' disembodied voice in our bedroom narrating whatever popular kids stories had been released in the local Waterstones or WHSmiths that month.

There were classic stories such as [insert name here if you ever remember the name of it Matt], and [insert another generic famous kids book title here], narrated by somebody that wasn't Dad.

I can vaguely remember feeling on edge whilst listening to an audio drama of a 'Famous Five' story, in which the titular characters get trapped on some evil chaps' farm, and one of the five attempts escape by hiding in the boot of the car that was heading out to the local town...there was also Roald Dahls' 'Danny Champion of the World' with its all too creepy section where Danny (a small child) goes for a midnight drive in his fathers car in the pitch black of night.


As I've said, the scary memories tend to stay in my limited memory bank, and bear in mind that we would almost exclusively listen to these cassettes in bed with the lights off, which only added to my mental scarring. Although I can recall listening to these stories, none of them ever actually made me think about the talent behind the cassette. I think the first time I ever actually thought about and admired the voice behind the story was when we heard the cassette called 'KrindleKrax'.


Now to preface this, the memory of this cassette has not only stuck in my head because of what I'm about to detail momentarily, but also due to the fact that I decided to almost get run over whilst crossing the road on the way to the book shop to collect the aforementioned cassette.


I remember looking at the cool graphics and display in the window on the other side of the road, and I simply walked straight ahead towards it without a care in the world. A car screeched to a stop, beeping its horn to my right...a noise that was certainly shocking, and yet it was very quickly drowned out spectacularly by the noise that emenated from my fathers mouth as he yanked my arm backwards onto the pavement.


Imagine a giant disgruntled penguin, that has just trodden barefoot on a sharp lego piece. "WAAAAAAARGH.....WAAAH WAAAAAARGH"

I had to then pretend to be ashamed of my mindless decision to stop a car with my body, whilst desperately trying not to laugh at the crazy noise dad had just made, as the angry penguin man reprimanded me for my poor attention skills at the side of the road.


**Memory storage activated thanks to near death experience and comedy gold dad noises**


So anyway, back to KrindleKrax. It was a novel written by popular childrens' story writer Phillip Ridley, and was essentially the story of an easily bullyable 9 year old school child called Ruskin Splinter. He saves his street from an overgrown sewer-dwelling crocodile, and a window-smashing bully, all whilst trying to land a lead role in the school stage play. The story was instantly relatable to me, due to the fact that my home town in the West Midlands of the UK was at that time riddled with sewer dwelling monsterous creatures (or so i childishly believed at the time).

Now the plot and characters in this story were memorable in themselves due to the characters having certain quirks such as the caretaker Corky Pigeon, who was obsssed with Chocolate Biscuits, however...it was the narrator that made the story so memorable.


The audio cassette that we had was narrated by none other than comedy legend and personal hero of mine, English actor and comedian Rik Mayall.


The vast majority of the cassettes we had listened to prior to this were straight reads that clearly weren't interesting enough to remain stuck in my grey matter, but for the first time in my life, Rik Mayall had made this quirky story come alive in his trademark wacky and completely revolutionary way.


Each character had a different sounding voice, each memorable in their own right, not only that, but Rik had also vocalised some of the sound effects throughout the story. His vocalisation of a bouncing basketball on the street; "Ba-doing, Ba-doing, Ba-doing" is something I oddly recall any time I accidentally drop something on the floor.

In the weirdest possible way, Rik Mayall immitating a bouncing ball has imprinted on my whole life. Quite profound some would say...more like a bit weird! It was listening to this memorable narration that I vividly remember thinking "Hey, that was so cool...how did he do that so much better than everyone else I'd listened to?".

Not only did this particular audio cassette spurn my first proper interest in narration and voice work, but it changed my entire perspective on what actually went into recording such a thing as a story.


"Did he actually sit there and read the story and do all of the voices all in one sitting?"


"How did he learn how to do all of those different accents and voices?"


"How does it feel like I can see what the characters are doing in my head when all I can do is hear a strange man talking to me in the pitch black?"


"Where did he record this? Was it on a TV set when he recorded his comedy shows that dad liked to watch?"

Almost sounds like the kind of questions that form the recipe for a future voice talent if you ask me.

 
 
 
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